Simply put, if anyone has a free Friday / Saturday night, this is the film to go out and borrow from the local video store. `Rocky' illustrates how life itself is stifling and perplexing, but sometimes when you lose your way as well as your original intentions, you may just find something better. The following four Rocky sequels attempted to deliver the same magic as the original, however failed to convey it's message.
And who could forget the excruciatingly compelling Balboa / Creed confrontation? Rocky's determination overturns the boxing fraternity, and supplies cinemaphiles with one of the greatest moments in cinematic history, as a body of spectators both on-screen and off applaud and chant for Rocky in unison. Over 25 years on, `Rocky' still manages to let the audience's emotions explode Rocky's blossoming relationship with Adrian, the seedy worlds of Mickey and Adrian's alcoholic brother, Paulie (Burt Young), and the affirmation of Rocky's inability to overcome Creed.
Fans of cinema aren't manipulated into thinking that the inevitable will happen as it does in every other tedious hero drama. Stallone's wholesome performance of his own screenplay is electrifying as the film celebrates of the underdog battling to beat the odds. The film's possession of realistic acting, superb dialogue and the most phenomenal music score by Bill Conti to date, indeed transformed the face of cinema. When first released, the film appealed to the widest audience, and all felt the emotion and intense passion which passed from the film, to them. Seeing `Rocky' is both a cinematic experience and a religious experience. The legend of this film when it was first released in the mid-70's was: `His whole life was a-million-to-one shot', but what Stallone did was prove to the world that `Rocky' is one-in-a-million. While one `didn't have much of a brain', the other `didn't have much of a body', so they worked on their opposites, only to end up together. However, these almost completely distant outcasts are strangely drawn to each other. However, the central character in Rocky's life is Adrian (Talia Shire), a shy pet-store clerk, who acts awkwardly when Rocky even breathes in her direction. Mickey is passionate about the world of boxing, and believes that Rocky has the potential to go the distance, instead of being `a cheap second rate loan-shark'. Mickey (Burgess Meredith), is the owner of the gym where Rocky trains and later becomes Rocky's manager. Attracted to Rocky's reputation as "The Italian Stallion", a match between Creed and the unknown boxer is set, which is subsequently advertised as a fight where a "nobody" can become a "somebody". Until one day, a sudden opportunity is handed to Rocky to compete for the World Heavy-Weight Title against the champion, Apollo Creed (Carl Weathers), a charismatic and flamboyant fighter labelled as `The King of Sting' and `The Master Of Disaster'. The storyline takes place in Philadelphia, where Rocky Balboa (Sylvester Stallone) struggles to make a living as both a small-time boxer, and the brawn of a loan shark. It's films like this that remind us of the beauty that is going to the cinema, and if only I was around during that year when such films as `Close Encounters of the Third Kind', `Jaws', `Saturday Night Fever' and `Network' were all playing in cinemas.
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This movie is unlike any other ever put on film. On top of that, `Rocky' also earned two more Academy Awards for Best Film-Editing and Best Director (John G. Although the latest efforts of Stallone have been pitiful, the movie that made his career is the 1977 Academy Award Winner for Best Picture, `Rocky'. My brother and I followed the numerous Rocky Balboa struggles religiously, and even today, there is no exception.
When I was a kid there were only three major things in my life: food, wrestling and `Rocky'. Chartoff and Winkler mortgaged their houses for the last $100,000. When Winkler and Chartoff told United Artists that they could only get the screenplay if Stallone starred, United Artists cut the budget to $1 million and had Chartoff and Winkler sign agreements that they would be personally liable if the film went over budget. After Winkler and Chartoff purchased the film, they took it to United Artists, who envisioned a budget of $2 million with an established star, particularly Robert Redford, Ryan O'Neal, Burt Reynolds or James Caan. They agreed, on the condition that Stallone continue to work as a writer without a fee, and that he work as an actor for scale. He had $106 in the bank and no car, and was trying to sell his dog because he couldn't afford to feed him, but he refused to sell unless they agreed to allow him to star in the film. After producers Irwin Winkler and Robert Chartoff became interested in the script, they offered Sylvester Stallone an unprecedented $350,000 for the rights.
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